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In Western cinema, vengeance is often framed as a righteous, satisfying arc. Korean cinema treats vengeance as a toxic, hollow pursuit that destroys the avenger.

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Kim Ki-duk (1960–2020) made an international reputation with visually striking, thematically transgressive films that divided audiences and critics. His filmography includes Crocodile (1996), Bad Guy (2001), Spring, Summer, Fall, Winter... and Spring (2003), 3-Iron (2004), The Bow (2005), Time (2006), Dream (2008), Arirang (2011), Pieta (2012), and Moebius (2013). In Western cinema, vengeance is often framed as

If you want to dive deeper into Korean film history, let me know: In Western cinema