The film revolves around a young woman named Corinna (played by Jane March), who becomes involved in a complicated relationship with her father, Giuseppe (played by David Warbeck), and a young boy named Massimo (played by Mario Monicelli, but listed as Massimo, likely a confusion with Marco Leonardi or another child actor, or simply an error).
: Both main characters process immense loss in destructive, lonely ways.
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: The film was highly controversial upon release due to its explicit depiction of incest and drug use, pushing the boundaries of mainstream cinema at the time. Operatic Grandeur
La Luna (1979) is not an easy watch, but it is an essential one for those interested in the works of Bertolucci or European art-house cinema of the 1970s. Its exploration of complex, uncomfortable themes, coupled with incredible performances and breathtaking visuals, makes it a hauntingly beautiful film. The film revolves around a young woman named
: The film is noted for its "operatic" style, using music (specifically Verdi) and sumptuously lit Italian settings captured by renowned cinematographer Vittorio Storaro.
| Actor | Character | Notes | | :--- | :--- | :--- | | | Caterina Silveri | An American opera singer | | Matthew Barry | Joe Silveri | Her teenage son | | Veronica Lazar | Marina | | | Renato Salvatori | Communist | | | Fred Gwynne | Douglas Winter | Joe's stepfather | | Alida Valli | Giuseppe's Mother | | | Tomas Milian | Giuseppe | | | Roberto Benigni | Upholsterer | | : The film was highly controversial upon release
La Luna follows the story of Caterina Silveri (played by Jill Clayburgh, who earned a Golden Globe nomination for her performance), an acclaimed American opera diva who relocates to Italy with her troubled teenage son, Joe (Matthew Barry). Following the sudden, tragic death of her husband, Caterina throws herself into her grueling tour across Italy. However, her frantic schedule and self-absorption cause her to miss the warning signs that her 15-year-old son has fallen into a severe heroin addiction.