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Every character needs a core motivation unrelated to the romance. A protagonist should have career goals, personal traumas, or external conflicts that occupy their mind.

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*Examples: * Fleabag (Season 2, the Fox), Eat, Pray, Love In modern media, the most radical romantic storyline is the one where the protagonist realizes they need to stop looking for a partner and fix their own broken mirror. This often serves as the prequel to a healthier relationship later. It destroys the myth that another person can complete you, arguing instead that a partner should complement a whole person. Every character needs a core motivation unrelated to