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In the 2010s, Malayalam cinema underwent a massive structural and thematic shift, often termed the "New Gen" wave. A new crop of filmmakers, writers, and actors broke away from established formulas to embrace hyper-realism, experimental narratives, and unconventional themes. Directors like Lijo Jose Pellissery ( Jallikattu , Churuli ), Dileesh Pothan ( Maheshinte Prathikaaram , Thondimuthalum Driksakshiyum ), and Alphonse Puthren ( Premam ) redefined Indian cinema's grammar. This contemporary phase is characterized by:

Films like Maheshinte Prathikaaram (2016) and Kumbalangi Nights (2019) focused on micro-narratives. They found extraordinary beauty in ordinary, everyday lives, replacing dramatic monologues with conversational, realistic dialogue. In the 2010s, Malayalam cinema underwent a massive