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At the same time, Malayalam cinema has never been afraid to interrogate its own culture. Films have reckoning with caste, desire, and class from the very beginning. Chemmeen , adapted from Thakazhi's legendary novel, placed caste and feminine longing against the backdrop of mythic moralism, helping Malayalam cinema reckon with some of its deepest social fissures. More recent films like Puzhu and Malayankunju have held up a mirror to a casteist society through their anti-heroes, exposing the persistence of bigotry and the possibilities of redemption.

: Analyzes how modern films like Traffic (2011) and 22 Female Kottayam (2012) use new-media aesthetics to reflect youth culture and shifting social norms. At the same time, Malayalam cinema has never

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