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In the 1980s, Malayalam cinema underwent a significant transformation with the emergence of a new generation of filmmakers. Directors like Adoor Gopalakrishnan, A. K. Gopan, and John Abraham introduced a new wave of cinema that was more experimental and socially conscious. Films like "Swayamvaram" (1972), "Nokketha Doorathu Kannum Nattu" (1984), and "Parotta" (1988) gained critical acclaim and pushed the boundaries of Malayalam cinema.

Furthermore, the industry has faced its own #MeToo reckoning, revealing that the progressive content on screen does not always reflect progressive behavior off screen. The disparity between the feminist narratives of The Great Indian Kitchen and the patriarchal guild system of the film industry remains a glaring cultural contradiction. In the 1980s, Malayalam cinema underwent a significant

However, the industry has also faced intense scrutiny for its . In a landmark controversy in 2025, veteran filmmaker Adoor Gopalakrishnan ignited a firestorm by arguing against state funding for SC/ST and women filmmakers. Critics pointed out that his comments reflected a deeper, systemic problem: Malayalam cinema, like many cultural fields, remains an upper-caste bastion where dominant narratives are universalised and other perspectives are buried. It is argued that the wave of “feudal” films in the 1990s, with their villages, lords, and patriarchs, represented a regression that did little to inspire anti-caste cinema. Gopan, and John Abraham introduced a new wave