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This paper argues that the evolution from broadcast (television/radio) to digital (streaming/social) media has fundamentally altered the relationship between entertainment and identity. Drawing on Jean Baudrillard’s concept of hyperreality, we examine three core mechanisms: (how platforms predict and shape taste), parasocial micro-celebrity (the monetization of intimacy), and nostalgia engineering (the repurposing of collective memory as IP). The conclusion posits that popular media has become a closed ecosystem where authenticity is a performed genre, and the audience is simultaneously the product, the critic, and the raw material.

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