The conversation that followed was neither proclamation nor apology but a slow unpeeling. Arman spoke of debts—not only the money owed by his brother, but the debt one owes to oneself when one has run from what one is. He told stories of towns where artists traded painting for bread, of a city whose light made colors illicit and precious. He spoke of painting a face into the shape of glass and watching the face dissolve. He had been gone not because he had no love for Kamapisachi but because he had needed to learn how to return.
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After lunch, a short walk led me to the Kamo River. Street vendors served yakitori , taiyaki , and freshly squeezed yuzu juice. I bought a dorayaki (red‑bean pancake) and sat on a bench, watching couples glide paper boats (karuta) downstream, their sails catching the pink haze. The conversation that followed was neither proclamation nor