By the late 1990s and early 2000s, Billy Cobham was entering a new, reflective chapter in his career. He conceptualized an ongoing project he called "The Art of Jazz," a series intended to explore the foundations of the music he loved, moving away from the heavy electric fusion for which he was best known. The Art of Three was the inaugural release in this ambitious series, a concept later expanded with the "Art of Four" and "Art of Five" ensembles. The album's premise was elegantly simple: assemble a trio of all-stars and let them breathe new life into the Great American Songbook and jazz standards.
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. Billy Cobham - The Art of Three -2001- -EAC-FLAC-
Ron Carter’s upright bass occupies the lower frequencies. Lossless files maintain the deep, acoustic thud and the physical rattle of the strings against the wooden fingerboard, preventing the low-end from becoming muddy. By the late 1990s and early 2000s, Billy
The lossless format perfectly preserves the wide dynamic range of Cobham’s cymbal taps, the woody resonance of Carter’s bass, and the delicate decay of Barron’s piano strings. Critical Legacy The album's premise was elegantly simple: assemble a