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No discussion of cinema’s dark maternal relationships is complete without Alfred Hitchcock’s Psycho . The film introduced audiences to Norman Bates and his unseen, overbearing mother, Norma.

One such archetype is the "monstrous mother," a figure of overwhelming, often destructive, love. James Joyce’s A Portrait of the Artist as a Young Man offers a powerful literary example. The narrative of Stephen Dedalus's formation as a male writer represents "the silencing of the mother and the erasure of her subjectivity". For Stephen, leaving his mother country and the maternal figure is portrayed as almost "matricidal". Joyce masterfully captures the son’s guilty consciousness and the "insistent return of the mother to the son's consciousness," a psychological haunting that defines his later work, Ulysses . No discussion of cinema’s dark maternal relationships is