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During the 1970s and 80s, the Philippines had a booming industry of cover bands and local artists who would release "sound-alike" records or original compositions on small, independent labels. These records were pressed in limited runs, sold at local shows, or given away as promotional items. Paulo Ocan was a master of this domain, creating music that rivaled American imports in energy but retained a distinct local flavor.

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The credit largely goes to the movement. Led by DJs and collectors like Keb Darge and Snowboy, the scene in the late 90s and early 2000s was obsessed with finding the "rawest" records imaginable. They moved away from the polished Motown sound in search of gritty, break-heavy obscurities. During the 1970s and 80s, the Philippines had